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課程名稱 |
音樂社會學
MUSIC SOCIOLOGY |
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開課學期 |
97-2 |
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授課對象 |
文學院 音樂學研究所 |
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授課教師 |
陳人彥 |
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課號 |
Music5029 |
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課程識別碼 |
144EU0520 |
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班次 |
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學分 |
3 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期二6,7,8(13:20~16:20) |
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上課地點 |
樂學館105 |
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備註 |
本課程以英語授課。
限學士班三年級以上
總人數上限：15人 |
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Ceiba 課程網頁 |
http://ceiba.ntu.edu.tw/972mussoc |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
This course explores music and its interactions with human society. We shall consider the ways in which music not only reflects social structures, identities, and ideologies, but actively helps to construct them. |
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課程目標 |
to develop a critical understanding of the intimate dialectical relationship between musical sound and social meaning; to formulate this relationship in theoretical terms; to demonstrate it through empirical evidence |
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課程要求 |
an ability to read Western music notation as well as some knowledge of basic musical-theoretical concepts, such as mode, scale, dominant, tonic, and tonality |
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預期每週課後學習時數 |
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Office Hours |
每週四 13:00~15:00 |
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指定閱讀 |
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參考書目 |
Adorno, Theodor. Introduction to the Sociology of Music.
Becker, Howard. Art Worlds.
Bourdieu, Pierre. Distinction.
DeNora, Tia. Beethoven and the Construction of Genius.
Denora, Tia. Music in Everyday Life.
Elias, Norbert. The Court Society.
Habermas, Jürgen. The Structural Transformation of the Public Sphere.
Hunter, Mary. "Haydn's London Piano Trios and His Salomon String Quartets:
Private vs. Public?”
Middleton, Richard. Studying Popular Music.
Shepherd, John. "Sociology of Music."
Weber, William. Music and the Middle Class.
Willis, Paul. Profane Culture. |
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評量方式
(僅供參考) |
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週次 |
日期 |
單元主題 |
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Week 1 |
2/17 |
Introduction |
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Week 2 |
2/24 |
Overview of the Sociology of Music |
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Week 3 |
3/03 |
Music Sociology and "The Production of Culture" |
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Week 4 |
3/10 |
Music and Empirical Sociology |
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Week 5 |
3/17 |
Cultural Capital |
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Week 6 |
3/24 |
Music and the Ancien Régime |
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Week 7 |
3/31 |
Music, the Enlightenment, and the Rise of the Bourgeois Public |
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Week 8 |
4/07 |
Public, Private, and Music in the Late 18th Century Europe |
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Week 9 |
4/14 |
Music and Aristocratic-Bourgeois Conflict in Early 19th-Century Europe |
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Week 10 |
4/21 |
Music and the Middle Class in 19th-Century Europe |
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Week 11 |
4/28 |
Music as Material for Social Meaning |
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Week 12 |
5/05 |
Popular Music as Social Force |
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Week 13 |
5/12 |
The Sociology of Popular Music as Critique of Modern Industrial Society |
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Week 14 |
5/19 |
Critiquing Adorno |
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Week 15 |
5/26 |
Final presentations |
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Week 16 |
6/02 |
No class (I’m in Boston!); makeup class, 6/16: Final presentations |
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Week 17 |
6/09 |
Final presentations |
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